A Metaphoric Transformation of the Pawpaw Tree Into Female Forms in Painting
Chapter One
Aimย andย Objectives of theย Study
Theย aimย of thisย studyย isย toย create paintingsย basedย onย theย metaphoric articulationย of theย pawpawย tree, into femaleย forms, while theย objectives areย to:
- transform the inherent aesthetic nuance of the pawpaw tree into female forms in painting;
- produce paintings that exhibit feminine metaphoric gestures from the pawpaw
- exhibit t he practical outcome through cataloguing
- perceive and interpret the pawpaw tree subjectively through
- ideally conceptualise the pawpaw tree as female forms in painting.
CHAPTERย TWO
ย REVIEWย OFย RELATED LITERATURE
ย ย Preamble
The literature review covers 31 works made by artists. The works include someย artistsย whoseย worksย areย centredย onย feministย artย movement,ย theirย inspirations,ย methodsย they used, and philosophies, which are in line with the thrust of this study. It looks at theย varied aesthetic forms that other objects exhibit, female images inherent in such objectsย and paintings that metaphorically discuss female issues. Lacy (2014) declares that, theย goal ย of ย feminist ย art ย is ย to ย โinfluence ย cultural ย attitudes ย and ย transformation ย stereotypes.โ This reflects a feminist perceptual encounter with the pawpaw tree and other elements ofย nature. The literature discusses them in relation to the objectives of this research. Otherย reviewed works include the conceptual explorations of female images inherent in theย elements of nature. It embraces works that reflect the theory of conceptual art by Luiseย (1983), as idea-based and not object-based. Though the emphasis is on the pawpaw tree,ย some works also review aspects of the pawpaw leaf and other elements of nature hence,ย theirย similaritiesย withย thisย study.ย Theย aboveย listedย categoriesย ofย literatureย shallย beย discussed accordingly as listed. The purpose of this review, is to show the diverse waysย artists have explored natural forms, to conceptually evoke forms and in particular, femaleย formsย in art.
The tree made its way to Brazil, where Portuguese colonists, seeing a resemblanceย inย theย fruitโsย shape,ย toย thatย ofย aย womanโsย breastย calledย itย โmamรฃoโ;ย maybeย thisย probably couldย beย whereย theย nameย โmummyย appleโย originated.ย Thisย plantย isย grownย inย theย tropical regionย ofย Africaย andย itsย cultivationย hasย convenientlyย beenย extendedย intoย theย forestย regions.ย Inย theย orderย ofย classification,ย theย pawpawย plant,ย belongsย toย theย familyย ofย caricacea.ย Theย papayaย treesย canย beย male,ย femaleย orย hermaphrodites.ย Delzielย (2009)ย postulates that, the male pawpaw is reserved by moan for medical purpose only, and theย female pawpaw, produces fruits for both food and medicine while the hermaphroditesย trees produces bisexual flowers. It is one of the enchanting elements of nature, endowedย with visual aesthetic qualities. Anon (2012) adds that, Papaya was the first transgenicย fruitsย treeย to haveย its genome deciphered.
In some other parts of Asia, the young leaves of the papaya are steamed and eatenย likeย spinachย whileย inย someย partsย ofย theย world,ย papayaย leaves are made into tea as a treatment for malaria. Pawpaw is one of the few fruits crops that cannot tolerate chemicalย fertilizer. No part is wasted, as all are useful to man. It could also be vital to note that, theย uses of both female and male pawpaw rootsย as contraceptives, in the prevention ofย unwanted pregnancy are practiced in many homes. This is a natural method of familyย planning. Women in India, Bangladesh, Sri Lanka, and other countries have long usedย green papaya as a folk remedy for contraception and abortion. Enslaved women in theย West Indies according to Morton (1987) were noted for consuming papaya to preventย pregnancies and thus preventing their children from being born into slavery. Similarly,ย Dharmananda, ย (2005) ย confirmed ย that ย in ย North ย America, ย the ย term ย โpawpawโย ย usually refersย toย plants.ย Inย Cuba,ย itย isย calledย โfrutaย bombaโย andย theย wordย papayaย isย referenceย to female Genitalia. This shares affinity with the present study; interrogation of the pawpawย leaves metaphorically into female form in painting since it is in line with some of theย features the researcher perceives as a womanโs world, like the fruit which suggests breast,ย fertility, the conspicuous scars as the female tattoo, plight of a woman and the miseryย behind the monthly cycle, child birth, prolonged labour, body scarification of the female,ย caesareanย section, femaleย circumcision, to mention butย aย few.
Traditionally, the pawpaw leaves serve as therapy to women; it aids the easy flow of breast milk, when the boiled extract is taken by a nursing mother. It is in that sense, a careful appreciation of the physical features and compositional appearance of the pawpaw tree could imply a conceptual imagery or form that could be interpreted to be similar to a female form. The researcher therefore, considers the pawpaw tree to be an important element, a โgiftโ of nature, which has visual qualities and structures that could be adapted in painting. It may be termed illusionistic or an incredible idea. Whicheverย way it is viewed, using the pawpaw tree to develop female forms in paintings that evokeย feminine discourse is considered a viable creative and expressive possibility for thisย research.
CHAPTER THREEย
RESEARCHย METHODOLOGY
ย Preamble
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This study adopts the studio exploration procedure derived from the qualitativeย methodology, with emphasis on action research approach. The primary focus of thisย researchย isย toย advanceย knowledgeย aboutย practice,ย andย toย advanceย knowledgeย withinย practice. Leavy (2009) adds that, action research technique is suited for the artist whoย seeks to describe, explore, or discover knowledge by presenting a set of meanings to hisย audience. The researcher seeks to explore the pawpaw tree with a view to visualisingย femaleย formsย andย toย useย paintingย asย aย toolย forย discussingย feministย issues.ย Diazย (2000)ย isย ofย theย viewย thatย traditionalย instrumentsย ofย qualitativeย researchย likeย camera,ย phenomenology,ย observation,ย questionnaire…serveย asย data-collectingย instrumentsย inย conducting ย action ย research. ย Sani ย (2013), ย โAย ย Synthesisย ย of ย Swange ย Dance ย Stepsย ย and Coloursย onย Canvasโ,ย Oyedemiย (2014)ย titledย โInterrogatingย Charcoalย Marketย inย Painting Usingย ย a ย Restricted ย Paletteโ; ย Adeyemi ย (2012) ย titled, ย โInnovative ย Exploration ย in ย the Synthesisย ofย Easelย Painting,ย Olarindeย (2014),ย โย Contextualisationย ofย Potholesย onย Nigerianย Roads In Paintingโ. The researcher seeks to explore the pawpaw tree with a view toย depictingย femaleย forms, and to useย paintingย asย aย tool forย discussingย feminist issues.
Processย andย Procedure
The study commenced with preliminary studies, where works were executed from observation, photographs and sketches from a life study of the pawpaw tree in its natural habitat. These sketches were done on a smaller support (paper). The aim was to observeย their suitability before depicting same on a larger support. The researcher explored otherย mediums like chalk pastel, gouache and ink oil. The second stage is the exploration ofย forms where the researcher embarked on a studio exploration; strings were incorporatedย onย theย paintingsย toย manipulateย theย veiningย detailsย onย theย leafย construction.ย Theย developmental stage of the study was done in 3 sub-groups which are phases I, II and III.ย Phase I:ย In this sub-group, the female forms were mostly circular in nature, inspired byย the shapes of the pawpaw fruits. In phase II the researcher employed the scratchingย technique with the aid of a palette knife, to achieve the conspicuous scars on the treeย trunk. Phase III was on the conceptual representation of the pawpaw tree as a whole,ย based on the researcherโs idea on the pawpaw tree forms, as prescribed by Luiseโs theoryย (cf. Luise, 1983). ย ย Similarly, William (2000) observes that Langersโs philosophy is anย idea that there is a basic and pervasive human need to symbolize, to invent meanings, andย to invest meaning in oneโs world.ย The metaphoric transformation of the pawpaw treeย form into female forms lies on the researcherโs perception of the pawpaw tree form. Thisย has resulted to forms that are novel and metaphorically used to discuss the feminist art.ย Theย executionย ofย worksย isย categorizedย accordingย toย theirย sequentialย stagesย ofย production:
Stagesย ofย Production
Preliminaryย Exploratory
CHAPTERย FOURย
ANALYSISย OFย PAINTINGSย PRODUCED
ย Introduction
Oneย ofย theย functionsย ofย artย isย thatย itย communicatesย thoughts,ย ideasย andย emotionsย as observed by Lazzari and Schlesier (2008). This is not far from the theory of conceptualย art as idea-based, articulated by Luise (1983). This researcherโs emotion towards theย pawpaw tree has led to the execution of abstract forms in painting. These authors stressย further that art has content, which is the mass of ideas associated with an art work andย communicated through the following; the artโs imagery, the surroundings it is used toย display and its symbolic meaning. Images created within the context of the study, areย deduced from the pawpaw tree, as the source of inspiration, through the researcherโsย perceptual encounter of the pawpaw tree, as it evokes a female form. Sixteen works wereย discussed according to their stages and mode of production, out of the numerous worksย producedย inย theย courseย ofย theย study.ย Sevenย wereย analysedย inย theย exploratoryย stage
CHAPTER FIVEย
CATALOGUE
ย Introduction
This chapter is in two sections, containing the artistโs curatorial statement and aย portfolio of paintings produced, giving an account and clarity on the research carried out.ย Mitchell in Buhari (2015) unequivocally explores this dynamic relationship between anย art work and words (theory). The author investigates the iconology of the image, text andย ideology,ย advancingย theย discourseย thatย thereย isย aย dialogueย thatย existsย betweenย anย images
/text duality .This is similar to the course of this study, where works produced are againย analysed by the researcher for better understanding and documentation. In a similar vein,ย Buhari (2015) considers this duality an endless dialogue. He adds that often, the text andย image run in parallel directions, never converging other times, the author adds that theย dialogueย isย symbiotic,ย complimentary,ย otherย times,ย evenย ambiguous,ย yetย inย otherย situations,ย it isย likeย aย roundย tableย forย conflict resolution.
CHAPTER SIXย
SUMMARYย ANDย CONCLUSION
ย Preamble
This chapter summarises the study such that observations centred on the findingsย inย chapterย fourย offerย theย sourceย fromย whichย theย conclusions,ย contributions,ย andย recommendationsย were made.
ย Summary
Works were produced through studio explorations. This encompasses works at the Preliminary, exploratory, and the developmental stages of phases I, II and III. The study commenced by portraying knowledge acquired from the perception of nature and its element in art and other objects. It is hinged on the transformation of the pawpaw tree into female forms in painting. The researcherโs appreciation of the physical features and compositional appearance of the pawpaw tree has potentials for a conceptual imagery of forms, which could be interpreted to be similar with female form. The statement of the research problem was based on the metaphoric gestures that can be deduced from the pawpaw tree form, which have not been explored as expressions in painting. The study was to create paintings based on the metaphoric transformation of the pawpaw tree forms into female forms in painting. The study is justified in that the researcher tests the concept of Luise which states that โart lies not in the object but in the artist idea of how to form itโ, using pawpaw tree as the subject. The scope of the study is the โsunrise soloโ, one of the Hawaiian varieties of pawpaw tree, due to its availability and the aesthetic surfaceย qualityย andย commonlyย foundย aroundย theย mainย campusย ofย theย Ahmaduย Bello
University,ย Zaria,ย where thisย researchย wasย carriedย out.ย The theory ofย Mortonย Luiseย constitutesย theย conceptualย framework.ย Theย mainย ideaย ofย thisย researchย isย toย createย paintingsย inspiredย byย theย pawpawย treeย thatย metaphoricallyย evokeย womenย issuesย inย painting. The literature review included the reviews of 31 works by artists. The worksย include works of some artists that made painting centred on feminist art movement, theirย inspirations, methods used, and philosophies, which are in line with the thrust of thisย study. It looks at the varied aesthetic forms other objects exhibit, female forms inherent inย theseย objectsย andย paintingsย thatย metaphoricallyย discussย femaleย issues.ย Theย literatureย discussesย themย inย relationย toย theย objectivesย ofย thisย research.ย Otherย reviewedย worksย includeย theย conceptualย explorationsย ofย femaleย imagesย inherentย inย theย elementsย ofย nature.ย It embraces works that reflect the theory of conceptual art by Luise, as idea-based and notย object-ย based.
The study adopts the studio exploration procedure derived from the qualitativeย methodology with emphases on action research approach. The researcher explored theย pawpawย treeย formsย byย visualisingย femaleย forms,ย andย usedย paintingย asย aย toolย forย discussing famine issues. The study began with the preliminary studies, as the phase I ofย exploratoryย stage,ย whereย worksย wereย executedย fromย observation,ย photographsย andย sketches from a life study of the pawpaw tree, in its natural habitat. These sketches wereย doneย onย paperย asย supportsย andย laterย transferredย toย aย largerย support.ย Theย researcherย explored other media like chalk pastel, gouache, ink and oil. The second stage was theย exploration of forms where the researcher embarked on studio exploration that involvedย theย useย ofย stringsย onย theย paintingsย toย renderย theย veiningย detailsย onย theย leafย construction.
The developmental stage of the study was done in 3 sub groups which were phases I, IIย and III.ย Phase I:ย In this sub-group, the female forms are mostly curvilinear in nature,ย inspired by the shapes of the pawpaw fruits. In phase II, the researcher employed theย sgraffito technique with the aid of a palette knife to achieve the conspicuous scars on theย tree trunk. Phase III was the conceptual representation of the pawpaw tree as a whole,ย based on the researcherโs idea on the pawpaw tree, based on the theory of Luise whichย states…ย Theย executionย ofย works…categorizedย accordingย toย theirย sequentialย stagesย ofย production:
Preliminary;ย Exploratory;
Developmentalย stage:ย Phasesย I,ย IIย andย III.
Works produced in the three categories as mentioned above, emanated from theย fourย stagesย ofย actionย researchย technique,ย asย recommendedย byย Sullivanย (2010).ย Theย collectionย ofย dataย wasย doneย throughย observation,ย photographsย andย sketches.ย Theย researcher adopted the four stages of action research recommendedย by Sullivan whichย are:
- Ideas and interrogation;
- Structure, design and sketches;
- Critical process/ Exploration and Development;
- Visual Practice/Catalogue/Exhibition.
ย Findingsย ofย theย Study
The study has discovered the possibility of transforming the pawpaw tree into โfemale formsโ in painting. Works produced as inspired by the pawpaw tree, resulted inย the creation of novel forms in painting. In view of this, Gbaden (2014) states that theย ultimate goal of a study is to make a seminal contribution to scholarship in the plastic artsย byย creatingย aย relativelyย novellaย wayย ofย โthinkingโ, ย โdoingโย andย โseeingโย contemporary Nigerian paintings. In a similar vein, Sullivan (2010) explains the possibility of takingย paintingย asย theory,ย sinceย paintersย haveย alwaysย beenย deepย thinkersย whoย periodicallyย โthink inย aย mediumโ,ย โthinkย inย aย languageโ,ย andย โthinkย inย aย contextโ.ย Theย majorย findingย ofย this study ย sees:ย ย โArtย ย asย ย idea ย basedโ. ย The ย study ย isย ย a ย body ย of ย philosophiesย ย which ย produce works that mirrors the feminine world. The perception of the pawpaw tree manifestsย novelty in works produced which share affinity with the womanโs world. The study hasย broadened a visual perception on the ability to perceive and interpret a subjective thoughtย through an object, and to see art as idea-based rather than object-base, as propounded byย theย Conceptualists.ย Theย studyย hasย throughย itsย findingsย answeredย theย fiveย researchย questionsย which are as follows;
- The aesthetic nuances of the pawpaw tree weretransformed into female formsย intuitivelyย throughย exploration of
- The female metaphoric gestures inherent in the painting of the pawpaw tree include:plights of a woman; the female circumcision, mystery behind child birth, prolongedย labor,ย caesarean section, among
- Thestudyย exhibitย theย practicalย outcomeย throughย cataloguing
- The type of Conceptualised female forms subjectively deduced from the pawpawtreeย are;ย theย femaleย breast,ย theย femaleย ovum,ย theย ovaries,ย theย womenย bodyย tattoo,ย theย femaleย hip and theย dread-locks hair styleย of women.
- Thestudyย ideallyย conceptualisedย theย pawpawย tree asย โfemaleย formsโย in
ย Conclusion
Theย researchย establishedย noveltyย inย formsย realizedย inย theย courseย ofย theย study,ย asย the images derived from the pawpaw tree reveal unique forms in painting. The study hasย been able to show an individualโs emotion towards an object (pawpaw tree). The studyย has evolved a divergent way of thinking and painting via its perspective on the pawpawย treeย formsย asย anย elementย ofย nature.ย Theย studyย hasย alsoย revealedย theย researcherโsย perceptualย abilityย to see,ย scrutinizeย andย to find suitablyย graspable forms.
Recommendations
Thisย studyย recommends that:
- Artistsinย searchย ofย newย forms,ย shouldย delveย intoย otherย treesย andย elementsย ofย natureย toย deriveย artistic forms from them
- Thestudyย recommendsย explorativeย intuition,ย directedย atย theย variousย throesย ofย theย femaleย challenges and
- Furtherstudiesย shouldย be carried onย theย femaleย bodyย notย coveredย inย this
- Researchonย metaphoricalย studiesย inย painting onย other plantsย tiedย toย theย femaleย genderย shouldย beย carried out.
- Moreresearchย shouldย alsoย beย carriedย outย throughย individualย artisticย perceptionย onย theย femaleย form relyingย on all other plants and objects.
- Theexplorationsย onย theย pawpawย treeย canย beย usedย inย theย textileย worldย asย itย createsย anย aestheticย surfaceย quality,ย which canย beย adoptedย toย createย designsย on
ย Contributionsย toย Knowledge
Theย studyย onย theย metaphoricย transformationย ofย pawpawย treeย formsย intoย femaleย formsย hasย beenย able toย contributeย new knowledgeย inย artย through the followingย ways:
Theย study:
- Addressedinย paintingย genderย issuesย relatingย toย womenย inย theย societyย (suchย asย female circumcision, prolonged labour, mystery behind childbirth,ย caesareanย sectionย etc)
- Establishedaย visualย perceptionย ofย aย subjectiveย thoughtย inย modernย Nigerianย painting in line with the conceptualist idea of art as idea -based using pawpaw asย subject
- Establishaestheticย nuancesย (suchย asย curvilinearย lines,ย veiningย designย ofย theย pawpawย leavesย etc)ย intoย femaleย formsย towardsย theย developmentย ofย modernย paintingย in Nigerian.
REFERENCES
- Adams, L.S. (2007). The Making and Meaning of Art London. Laurence King Publishingย Ltd.ย Pp. 20-26
- Americanย Heritageย Dictionary ofย Englishย Languageย (2011),ย Fifthย Edition.ย Houghtonย Mifflinย Harcourt publishingย company.
- Araromi. ย ย ย ย ย H ย ย ย ย ย (2015). Everything4Mom,ย Uniqueย Giftsย Forย Mom:ย htt://www.everything4moโฆRetrievedย October 16,ย 2014
- Arnheim,ย R.ย (1997),ย Visualย Thinking.ย Losย Angeles:ย Universityย ofย Californiaย Press,ย Barley.
- Baker,ย S.ย (2009),ย Originalย Oilย Paintingย ofย Fishingย Luresย Pawpawย https://www.pinterest.com…
- Babbie,ย E.ย (2001).ย Theย Practiceย ofย Socialย Research.ย Australia:Wadsworthย Thomsonย Learning.ย www.dissertationrecipes.com.
- Blickle A, (2012) Painted Women. Retrieved from http://www.featherofme.com…June,ย 2014
- Buhariย J,ย (1984) Aspectsย of Gwariย Lifeย asย sourcesย ofย inspirationย for contemporaryย Nigerianย paintersย M.F.A.ย unpublishedย Thesisย Report.ย Fineย Artsย Departmentย Libraryย Zaria, Ahmaduย Bello University.