Literature Project Topics
Aesthetics of Resistance in Tanure Ojaide’s The Activist and Helon Habila’s Waiting for an Angel
A Discourse Analysis of Athol Fugard’s Sizwe Bansi is Dead
Class Stratification, Poverty and Social Injustice: A Critical Analysis of Festus Iyayi’s Violence and Olu Obafemi Wheels
Code Mixing as a Sociolinguistic Medium in Some Selected Songs in the Nigerian Music Industry
Critical Discourse Analysis of Ola Rotimi’s Our Husband Has Gone Mad Again
Africanism Theme and Technique in Amos Tutuola’s The Palmwine Drinkard
Conflict Between Traditional and Western Culture: A Case Study of Soyinka’s Death and the King’s Horseman and the Lion and the Jewel
The Violation of Women’s Rights in African Novel Faceless and Women at Point Zero Portrayed
The Effects of Nigerian Pidgin English on Students of Tertiary Institutions
Gender Issues in Akachi Adimora Ezeigbo’s Trafficked and Zaynab Alkali’s The Virtuous Woman
Feminism Using Buchi Emecheta’s ‘The Joys of Motherhood’ and Zaynab Alikali’s ‘The Still Born’
Gender Ideology and Social Crises in Ifeoma Okoye’s Behind the Clouds and Men Without Ears
The Impact of Yoruba Language on the Spoken English of Students (Indigenes) of Ilorin (Township)
The Osun Osogbo Festival: Its Functions and Aesthetics
The Mythological Icons in Amos Tutuola the Palm-wine Drinkard
Language of Persuasion: An Analysis of the Inaugural Speeches of Presidents Jonathan and Buhari
Feminist Perspectives in Ama Ata Aidoo’s Changes and Ifeoma Okoye’s Behind the Clouds
Gender Issues in Chimamanda Ngozi Adichie’s Purple Hibiscus and Nawal El Saadavis Woman at Point Zero
Feminist Aesthetics in Ola Rotimi’s Our Husband Has Gone Mad Again and Femi Osofisan’s Morountodun
